Moving along

Just when I thought the New Year would ring in quietly, everything changed. Isn't that the way it always happens-when you least expect it? Karen and I had settled into a lovely routine around her class schedule at Haywood Community College, inventory was at a decent level, and all the 'capital improvements' (ie expenses for upfitting the studio space) were pretty much complete. Thus, I thought the New Year would herald calm and time to be a tad more creative. Not to be.

About to renew my lease at Curve Studios a fellow fiber artist, Barbara Zaretsky (http://www.clothfiberworkshop.com/), called and said there was studio space opening up next to her. Now, if you do not know Barbara's work you need to follow the link. She is not only a surface designer, she is teacher, a seamstress, and so much more! Anyway, I trotted down to The Cotton Mill Studios, less than a tenth of a mile further down Riverside Drive, and rented the space that afternoon.

The space is marvelous. Full of light--seven windows in all, plenty of space for teaching classes and looms to be spread out, room for a large design table on which to work, and more! Best of all we will have a shared door with Barbara and be able to begin textile collaboration. Needless to say Karen and I are almost drooling at the prospect. The move will be at the beginning of March.

As if all this news is not enough, there is more. Our website will go live mid-March, so keep an eye out for this at http://sutherlandhandweaving.com. As it was pointed out to me in all of this social media hoopla, we needed to begin Twittering. We have begun this and you may follow us at http://twitter.com/#!/sutherlandweave.

With all this exciting news, we will try to post pictures often and let you see how things are progressing on our soon to be new home!

Been there, done that.

I've never done this before. Actually, there are two things here I have never done. The first is be a part of a Weaving Study Group. I will get to the second thing I haven't done in a bit.

Karen, always looking to extend our reach to the weaving community, suggested we at sutherland begin a Study Group using Jane Patrick's new book "The Weaver's Idea Book". Now this book is written for those who have a rigid heddle loom. Karen, ever looking to stretch things for us, suggested we use this book as a guide for our new group. I admit it, I agreed, but was quietly skeptical.

Our first meeting was back in the middle of the Fall. We have a steady number of group members; some long-term weavers, others who have only been weaving for several months. Some have looms with 16+ shafts, others with rigid heddle looms. It is a nice diversity. Our first meeting was to get acquainted and set guidelines as well as goals. Now, here is where Karen is better at keeping minutes, but I am winging it with y'all. As I recall our general goal is for each member to take a chapter or portion of a chapter and present it, preferably with visual woven pieces.

I volunteered to take the presentation for January. I thumbed through the book several times, looking for just the right idea to present. My main criteria was to present an idea which was totally new to me as well. This would be my 'stretch' or second thing I have never done before. As a self professed Queen of Tedium (QOT), I lit on Double Spanish Medallions. Yep, that's me, all about tedium and detail. Well, at least with regards to weaving. Once the idea was in my mind I had to decide how I wanted to present the weaving presentation. I decided place mats would work well. A friend was cleaning out her "library" (see earlier post regarding this alternative word for "stash") and gave me two huge cones of linen so I thought this would be a good use for it. The thread I chose to use to weave the medallions is a linen I had used back in the summer for commissioned place mats.

I started dressing the loom and was able to weave my first two rows of medallions in the first mat right before I went on holiday break. Good thing I had written down directions as I am pretty sure I would not have remembered a thing. I sure had to reacquaint myself with how to weave the medallions when I got back to my studio loom this week. They are not difficult, but they do take some figuring from the photos and descriptions Jane has given.

I have learned several things through this process, with one of six mats left to weave. I quickly learned I needed to alter how I wove the medallions compared to the directions given. I found using my large weaving needle, given to me by my first weaving instructor Deborah Chandler, rather than a crochet hook, was much easier and far more efficient. Now that is not to say someone else wouldn't like to use the crochet hook, I just was unable to get a nice rhythm going with it. And there is one thing necessary for a nicely woven project--a rhythm. When learning anything new in weaving the initial throwing of the shuttle for me means I want to weave at least 6 to 12 inches to get that rhythm going before I put my shuttle down.

I have always wanted to learn to weave the medallions to see if and how I might incorporate them into my weavings. They seemed like they would be a fun tedious, sort of like why I enjoy hemstitching. Well, these are the epitome of tedium. And that is saying something coming from the QOT! Suffice it to say you will never see these in any future weaving projects of mine.

I will say I am happy I tried weaving these and think they do have a nice visual appeal, but they are not for me. There is also the question of the direction of the medallions on the mat. The mats will be off in a few days and I will post the final photo and let you see what you think.

I can now say I have done this, but won't do it again. Sort of the weaving version of 'been there, done that'.

Never in Our Wildest Dreams

I love Fall. Everything about this time of year makes me happy. I especially love the way the sun falls through the woods and makes long shadows of even short trees.

Last year this time Karen and I were experiencing a few sleepless nights planning the opening of sutherland. Never in our wildest dreams did we think ten months after opening we would be hosting Daryl Lancaster for a workshop.

This past week Daryl not only taught a color class at sutherland, she also taught a garment construction class at Haywood Community College, and was a judge at The Blue Ridge Fiber Show opening next week at the NC Arboretum.

I had taken a half day class color class taught by Daryl at Midwest Weaver's Conference 2009 at Grinnell College, so this time I sat out and manned the studio. I admit I did sneak in from time to time to see what the students were doing. I also listened to Daryl's lecture, inspirational in her instruction as always.

It was fun to see how each student was progressing through Daryl's assigned color exercises. The last exercise requires each student to use a photo as inspiration for a color wrap which could be used as a warp. The photos show some of the students work(for some reason I am unable to load them all), but really do not adequately depict just how beautiful their work was. One of the members of the class expressed her true dislike for the color orange at the very beginning of class. And, yes, hers is the one with the rock striations and blue sky. Just goes to show you the magic Daryl has in making everyone recognize proportion and balance int he scope of color.

The Daryl story continues in the next blog installment....

Have I mentioned?

This past week I began on a journey of weaving about which I am most excited. The journey began this past spring when a couple came into sutherland during The Studio Stroll in the the River Arts District and asked me to weave them a table runner. Not just any table runner, mind you. They desired a true art piece for their dining room table.

So, after months of acquiring over a hundred skeins of hand-dyed 60/2 silk to "paint" the picture of the piece I have in my mind, I have been to dress my loom. This has been tedious. And if you know me as a weaver, there is nothing I love more than tedious. First, I had to add 400 more Texsolv heddles to shafts 5 through 8 on my Harrisville floor loom at home as my warp has 1050 ends of Habu silk which is finer than human hair. Next I have had to wind each of those 104 skeins of yarn into balls before I will be able to wind them on to individual bobbins. Then there has been the winding of said 1050 warp ends on the warping board and then onto my back beam. I admit I had Karen help me with the latter task and it was a huge help! Then the task of threading began. I am half way through this and plan to finish this up tomorrow. Warping back to front on my big Harrisville requires a fair amount of leaning into the loom, hence neck and back fatigue. I am up and down a fair amount to give my body frequent breaks, which helps immensely.

I am hoping to be able to start weave this commissioned project by the end of this coming work week. I am excited to see the shuttle flying back and forth with these beautiful had-dyed silks.

Thought I would include some photos of the beginning of this piece. The photo with the pencil shows the entire warp, all 1050 threads, and just how fine they really are.

Oh, and have I mentioned I am excited??

A Towel Anyone?

There is nothing like a field trip to renew and replenish. And that is what Karen and I set out to do this past Monday. We headed West towards Dillsboro, NC to meet up with two lovely ladies whom we had met at our Web Chats with Alice Schlein oh these many months ago.

First we stopped by KMR Handwoven where Kathy Roig has set up shop. She is is a fabulous weaver and has wonderful pieces hanging she has woven on her beautiful draw loom. Not only that, but she is a magician in the dyeing of warp yarns. I have included some photos to give you a sense of her work as well as her work space. Needless to say, Kathy almost had to put towels on the floor to catch all our drool. It was lovely in every way::inside and out.

The drawloom you ask? The photo alone does not do this beautiful loom justice. Kathy graciously explained the basics of how it worked (none of which I feel comfortable even trying to relay in this blog-it will take more intense study on my part), even telling us how she learned from a book. Ok, have you gotten the idea I was impressed?

Next we walked just around the corner to see Susan Leveille at Oaks Gallery. The beauty of the rooms with the natural light drew us both right in and we were browsing lovely artisan works in any number of media, from furniture to glass nail files(yep, you guessed it, I have started Christmas shopping already). Did I mention a little shopping for moi as well? A lovely cuff bracelet made from birch wood painted with just the lightest of green fading into an light orange. How could I turn down something in my two favorite colors? As we wandered amongst Susan's artfully placed works for sale, she gave us a delightful history of the building(s) in which her shop is located. She also mentioned she and her husband, his name is alluding me this moment, had done the design of the famous Grovewood Gallery located next to the Grove Park Inn. Again, towels were needed for Karen and me.

In the tradition of weavers, Kathy and Susan took time out of their day to sit, have lunch with us (in Kathy's studio, where we felt quite at home), and talk about all things weaving. These two ladies provided us with enough things to have swirling around in our heads for weeks if not months to come.

After lunch we headed to Waynesville as Karen needed to update one of the photos for a piece in the Blue Ridge Fiber Show Raffle which is currently showing at Textures located on North Main St. This shop provided much enjoyment for the two of us. They have for sale several wonderful woven pieces from none other than Kathy Roig and Neal Howard.

Last but not least we stopped by Karen's other home away from home(aka sutherland) and that is Haywood Community College. She began her journey in their textile degree program there this summer and I wanted to see where to place her in my mental "picture". The ever lovely Amy Putansu was there and was working away in a frenzy of serious fan weaving amid 3 installations to be up in the next few days. The campus and studio seem to be full of energy while at the same time quite serene. Maybe only a weaver can understand what I mean by that. Let me know what you think about that please.

As we headed East we talked non-stop, our creative juices flowing with renewed energy. There is just nothing like a good field trip to recharge the battery.

Thank you much to all the lovely ladies who made our day this past Monday.

Oh, and note to self:: do not wear sandals to Karen's again, her puppy loves to lick toes.

May I Touch?

Several months ago I met up with a friend from nursing school to celebrate a very important birthday. Oh, who am I kidding? At this age they are all important. Anyway, we had not seen each other since graduation for many many years (or should I say decades?) and so it was also a reunion of sorts.

Roxane had invited several friends to join her at her lovely mountain home in Dillard, Ga. I had never been to this beautiful area and it was quite a treat. This was a really fun gathering--there were four of us and the only one who knew everyone was the hostess. There was Laura, from the west coast, and Jeanne, from the North, and me from WNC. It took a lot of nerve to invite three women to come together who had never met before, including me who Rox had not laid eyes on forever. I guess she knew what she was doing as it was as if we had all known each other for years. We did not stop talking. And talking.

You are probably wondering where in the world I am going with this, but I am getting there. In all that talking, Laura mentioned she had seen a metallic silver scarf in a magazine and wondered if I could weave her one like it. I thought that would be the end of that. Nope, she texted and then emailed me a photo. She was relentless.

I was enthralled with the challenge of working with a yarn I had not ever woven. There are lots of yarns I have not used, but this is would be way out of the box for me. So I did my research and ordered what I believed to be the best choice for this project. Silk City came through with a nice weight yarn and when it arrived Karen was at the studio and I was at home. She emailed and asked "May I touch?" The most important thing any fiber enthusiast wants to do. She quickly emailed me back and told me it was lovely. And slinky.

With each step in the weaving process I kept thinking something would become difficult with this yarn, but it never did. It was so much fun and even the slinky part was not hard. The sett is 30epi and I used my favorite 120/1 silk from Habu as weft.

I took the piece into the studio today to show Karen before I shipped it off to Laura. As soon as she saw me she said "I have to wash my hands, I want to touch." And she did. We both decided I must weave another one. Soon. And I will.

My thanks to a new friend who got me out of my silk and tencel box and into something different. I'll let you know what she thinks when she gets the piece in the mail.

Oh, that's Laura and her scarf::separately. Next photo I hope they will be together.

inspiration

Several weeks ago Karen had this lovely idea to weave a piece of fabric to be a representation of Akira Satake's work. She has been so busy teaching, taking her math test for acceptance into Haywood Community College, and moving the rest of her life from NJ here she has not had time to start. And I had not even thought about it until I took this piece off the loom and realized I had done just what she plans to do without meaning to do so. I had woven this piece for a shop in Venice, CA named Roots, where I met the proprietor while visiting my daughter. She expressed interest in my work and so I thought I would weave something within the parameters she desired, and this is what evolved. It is all silk and just lovely.
Thank you Karen for your inspiration. And Akira for your work.